Soliloquy with the Spanish Cloister Essay

Soliloquy of the The spanish language Cloister

Soliloquy of the Spanish Cloister


oTetrameter (with irregularities)

oNon-verbal appears – " Gr-r-r” – conventions of spoken vocabulary (symmetry while using end – nothing is resolved) oColloquial/filial terminology – " Hell dried out you program its fire! ” oRhythm retained during poem – speaker's self-righteousness and mindful adherence to tradition and formal convention oSimilarities to dramatic monologue – interest in sketching away a character, attention to aestheticizing details, implied commentary on morality oTone – ironic, cynical, critical, unhealthy

•Breaking of social objectives and hypocrisy

oAntithesis of any monk (caring, peaceful, patient) – unsettling (violence) oRighteousness vs self-righteousness and file corruption error

oHe locates his joys more inside the flesh as compared to the soul (suggestive toward sexual immorality) oAccusing Brother Lawrence of lechery/gluttony – " Heureux, forsooth! ” – if he is doing these sins – " Blue-black, lustrous, thick just like horsehairs” – detail (clearly he continues to be looking for himself) oCorruption – " My personal scrofulous The french language novel”

oInclusion of Latin (formal) – " Hagel tibi”, " Pena gratia” – contrasts with conversational tone, spasms – " Bright since ‘twere... ” •Monk's rage

oColloquial vocabulary – " Hell dry you program its flames! ” oNon-verbal sounds – " Gr-r-r” – exhibitions of used language (symmetry with the end – few things are resolved) oImpatience – " What? The myrtle-bush desires trimming? Also, that increased has prior claims –” – catalexis (missing syllable) oFantasies about trapping Lawrence into damnation – suggests that L is an excellent man (will receive salvation) – one of the most vehement moralists invent their own opposition to raise themselves •Religious

oOpposes second commandment: " Thou shalt love thy neighbour as thyself" oDramatic irony – narrator uses religious allegories to show his ‘blamelessness' – " Knife and fork this individual never lays/Cross-wise… As I perform, In Jesu's praise” – to target audience, emphasises...